She paints her fingers with a close precision He starts to notice empty bottles of gin And takes a moment to assess the sin she's paid for A lonely speaker in a conversation Her words are swimming through his ears again There's nothing wrong with just a taste of what you paid for Say what you mean, tell me I'm right And let the sun rain down on me Give me a sign, I wanna believe Whoa oh oh oh oh, Mona Lisa You're guaranteed to run this town Whoa oh oh oh oh, Mona Lisa I'd pay to see you frown He senses something, call it desperation Another dollar, another day And if she had the proper words to say She would tell him But she'd have nothing left to sell him Say what you mean, tell me I'm right And let the sun rain down on me Give me a sign, I wanna believe Whoa oh oh oh oh, Mona Lisa You're guaranteed to run this town Whoa oh oh oh oh, Mona Lisa I'd pay to see you frown Mona Lisa, wear me out I'm pleased to please ya Mona Lisa, wear me out Say what you mean, tell me I'm right And let the sun rain down on me Give me a sign, I wanna believe Whoa oh oh oh oh, Mona Lisa You're guaranteed to run this town Whoa oh oh oh oh, Mona Lisa I'd pay to see you frown Say what you mean, tell me I'm right And let the sun rain down on me Give me a sign, I wanna believe There's nothing wrong with just a taste of what you paid for Lyrics submitted by exitxemergency, edited by PATDlyrics The Ballad of Mona Lisa Lyrics as written by Butch Walker Brendon Urie Lyrics © Sony/ATV Music Publishing LLC Lyrics powered by LyricFind Add your thoughts Log in now to tell us what you think this song means. Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
Tittled‘Suhe Bullan Waliye’, the track is a love ballad crooned by one of the lead actors of the film, Sippy Gill. The song talks about theSongfactsThis is the first single by Rock band Panic At The Disco's third album, Vices & Virtues. The song was released on February 1, 2011 and marked the debut of Panic's new two-man lineup after the exit of Ryan Ross and Jon Walker, leaving as the remaining duo singer/multi-instrumentalist Brendon Urie and drummer Spencer explained to MTV News that the single and the album are intrinsically linked. "Basically, all of the songs, including 'Mona Lisa,' kind of touch on what the album is called. It's called Vices & Virtues, and in one way or the other, at least one to 10 virtues or vices are represented in every song," said the singer. "[It's] little minor things I didn't know were vices or virtues, until we looked them up. I was like, 'I don't know what altruism means, so I'll look that up.' Things like logic, pride, vanity — it can go either way. So it was kind of interesting to read about that. And it just made sense, because all the songs [on the album] are so all over the place," he continued. "They don't sound anything like each other, and it's like, 'How does this all tie together?' and then it kind of made sense. It was kind of lucky."The music video was shot in Los Angeles with director Shane Drake, who previously directed the group's clips for "Nine in the Afternoon" and "I Write Sins Not Tragedies." The clip runs through traditions of mourning and stages a funeral in an alternative universe. The video's concept is partly about saying goodbye to the band's past and bears many similarities to the "I Write Sins Not Tragedies" promo, from the church setting to various camera shots the dusty top hat resting on a church pew is the same one for "Sins". "When we were talking about the concept, somebody had the idea to kind of tie in to the beginning of the 'Sins' video, and we realized it would work with it," Spencer Smith told MTV News. Another nod to the band's past is that the clocks on the wall are all set to nine o'clock, in honor of their "Nine In The Afternoon" explained the meaning of this anthemic power-rock ballad to Spin magazine "On the surface it can seem like just the story of drama between a guy and a girl. But it's really about what I've been going through, an inner-struggle within myself, and fighting the dualities of my personality - the side that f-ks everything up and destroys everything and the other side that tries to pick up the slack."Urie came up with the original idea for this song before the band had even started touring on their 2008 album Pretty. Odd. He told MTV News "It was just sitting in my laptop collecting figurative dust on my hard drive, not really doing much."
Fiveof America's Founding Fathers (George Washington, Thomas Jefferson, James Madison, Benjamin Franklin & Alexander Hamilton) share their stories in an epic pop ballad.
Panic! At The DiscoVices & VirtuesShe paints her fingers with a close precisionHe starts to notice empty bottles of ginAnd takes a moment to assess the sin she's paid forA lonely speaker in a conversationHer words are swimming through his ears againThere's nothing wrong with just a taste of what you paid forSay what you mean, tell me I'm rightAnd let the sun rain down on meGive me a sign, I wanna believeWhoa ah ah ah oh, Mona LisaYou're guaranteed to run this townWhoa ah ah ah oh, Mona LisaI'd pay to see you frownHe senses something, call it desperationAnother dollar, another dayAnd if she had the proper words to say, she would tell 'imBut she'd have nothing left to sell 'imSay what you mean, tell me I'm rightAnd let the sun rain down on meGive me a sign, I wanna believeWhoa ah ah ah oh, Mona LisaYou're guaranteed to run this townWhoa ah ah ah oh, Mona LisaI'd pay to see you frownMona Lisa, wear me outI'm pleased to please yaMona Lisa, wear me outSay what you mean, tell me I'm rightAnd let the sun rain down on meGive me a sign, I wanna believeWhoa ah ah ah oh, Mona LisaYou're guaranteed to run this townWhoa ah ah ah oh, Mona LisaI'd pay to see you frownSay what you mean, tell me I'm rightAnd let the sun rain down on meGive me a sign, I wanna believeThere's nothing wrong with just a taste of what you paid for...Composição Brendon UrieOuça estações relacionadas a Panic! At The Disco no
INTRODUCTION A hope of immortality and a sense of humor distinguish man from the beasts of the field. A single exception may be made, perhaps, of the Laughing Hyena, and, on the other hand, not every one of the human race possesses the power of laughter.